• Skip to main content
  • Skip to primary sidebar
  • Skip to footer
  • Watch Free Demo
  • Login
  • Contact
  • Customer Support

Old Masters Academy

How to paint like the Old Masters using modern materials

  • About
  • Free Demo
  • Art Lessons
    • Personal Tutoring
  • Pricing
  • Community ▾
    • Win Art Course
    • Watch Free Demo
    • Artwork Critique
    • Students Gallery
    • Art Articles
    • Academy Team
    • News
  • Reviews
  • FAQ

Supports Titian Used for his Paintings. Titian’s Canvases

Art Lesson 37, Part 8

Discover what Supports Titian Used for his Paintings. Titian’s Canvases

Learn how to paint like the Old Masters!

Old Masters Academy Online Course
Self-study, self-paced online video course

Lifetime membership
One-time payment: $487

Enroll Now!
Personal Tutoring online + Online Course
Unlimited tutoring by the Academy teachers

Lifetime membership
One-time payment: $997

Enroll Now!


« Back to the Art Lessons List

Supports Titian Used for his Paintings. Titian’s Canvases

Using panels as a support for oil painting was a common practice in Venice, alongside with canvases. Climatic conditions, humidity, and salt forced artists to reject the idea of creating paintings with the fresco technique and refer to easel painting on canvas. Canvas was especially used as actual support for large-scale artworks.

Supports Titian Used for his Paintings. Titian's Canvases

A majority of paintings Titian produced in the first twenty-plus years of his career were executed on panels, following the tradition of previous generations, and less on canvas.

Canvas was available in Venice in many weave ranges, mainly because of the maritime nature of this city and its shipbuilding industry that required vast quantities of sails.

Supports Titian Used for his Paintings. Titian's Canvases

Different weaves ranged from plain (also called tabby) weave to twill and more complex variations of twill, such as herringbone. Titian, unlike many other artists, seems to have been quite constant in his choice of weave and weight of canvases for his artworks.

Tabby (plain) weave in different weight was his primary choice.

Supports Titian Used for his Paintings. Titian's Canvases

These paintings were painted on fine, plain weave canvases – Bacchus and Ariadne, the Portrait of Gerolamo Barbarigo, Noli me Tangere, Aldobrandini Madonna. As you can see, all the paintings are notably refined in their execution.

A coarser, plain weave of canvases was also used, depending on the result an artist wanted to achieve.

Supports Titian Used for his Paintings. Titian's Canvases

Such canvases were rougher, with visible texture. Less often, he chose twill weave canvases (Portrait of a Lady and The Triumph of Love).

Sometimes there were unusual choices of canvas, like in the case of Bacchus and Ariadne. Paintings of such dimensions have unusually fine weaves. But in this particular case, we know that the canvas was sent to Titian by the commissioner already sized and primed with gesso. It was the choice of the commissioner to have such an extra refined support, which helped Titian execute an equally refined painting.

With time, while his career progressed, Titian became rougher in his technique as well in his choice of more textured canvases. The Triumph of Love is painted on a robust twill weave canvas that is notably coarser than his usual choice of canvas. (Portrait of a Lady)

Another example of late artwork by Titian is Portrait of Doge Andrea Gritti, done in an exceptionally rough manner. By the way, it has been suggested that this portrait was influenced by Michelangelo’s statue of Moses. Many of Titian’s paintings have been relined, badly restored, damaged, or simply degraded with time. But this portrait is a lucky case of almost excellent preservation, including its original canvas.

At this stage of his life, Titian’s technical approach had already shifted from smooth and delicate rendering of paint to a bold and straightforward application of energetic brushstrokes, relying on the tooth of the canvas. The right choice of canvas enhanced the conceived task. The weight, weave, and texture of the canvas determined its ability to hold paint in particular ways. The rough tooth of the canvas helps create interesting pictorial effects.

Here is another interesting fact: The width of a loom, at the time, was usually up to 1 meter wide (about 40 inches) so, it was possible to produce canvas as long as he needed, but only up to 1 meter wide. Consequently, for large size artworks, two or more pieces of canvas had to be stitched together.

Supports Titian Used for his Paintings. Titian's Canvases

Supports Titian Used for his Paintings. Titian's Canvases

Recent conservation indicates that this late work of Titian, which have large dimensions, is constructed of seven pieces of canvas. The central section of the Virgin and Christ is painted on a reutilized canvas. Each of the other six canvases stitched to this central part is of varying weave and texture, suggesting that Titian used what he had at hand in his workshop, either because he was in a hurry or because he kept unexpectedly expanding the painting as he went along, or perhaps both. Such spontaneous modification is, of course, is a characteristic of a Titian and Venetian painting, in general.

Supports Titian Used for his Paintings. Titian's Canvases


Learn how to paint like the Old Masters!

Old Masters Academy Online Course
Self-study, self-paced online video course

Lifetime membership
One-time payment: $487

Enroll Now!
Personal Tutoring online + Online Course
Unlimited tutoring by the Academy teachers

Lifetime membership
One-time payment: $997

Enroll Now!

Primary Sidebar

Search Website

Members Area

You are not currently logged in.








» Lost your Password?

Watch Free Demo

Old Masters Academy

Art Course

» Personal Tutoring
» Art Lessons
» Free Demo
» Enroll in the Course

Art Community

» Win Art Course
» Art Competition Winners
» Art Competition Archive
» Artwork Critique
» Students Gallery
» Art Articles
» Academy Team
» News

Course Tutor

» Natalie Richy

Fine Art Resources

Watercolor Academy - How to paint in watercolor Life Drawing Academy - How to draw figures and portraits Drawing Academy Anatomy Master Class Art-Fame

Footer

Watercolor Academy

Art Lessons

About Old Masters Academy™
Art Lessons
Personal Tutoring
Free Demo
Old Masters Academy Pricing

Life Drawing Academy

Discover

Art Competition
Old Masters Academy FAQ
Old Masters Academy Reviews
Old Masters Academy News
Fine Art Resources

Drawing Academy

Support & Legal

Contact
Customer Support
Privacy Policy
Terms of Use and Service
Sales & Refund Policy

Anatomy Master Class

Students Area

Members Login
Artwork Critique
Students Gallery
Old Masters Academy Community
Old Masters Academy Team

© 2007-2023 · Old Masters Academy · All rights reserved.