by Rosily Roberts
… He venerated the Old Masters for creating works which stood the test of time, and felt that no modern work could compete with such paintings. He noted the style and technique of many of the Renaissance masters, including Titian, Michelangelo, Tintoretto and Veronese, whose styles manifest themselves in his confident use of colour. He combined techniques such as chiaroscuro, the dramatic use of light and dark, and the classical contrapposto pose, in which the subject supports their weight on one leg. He worked to marry classical grace with naturalism, creating convincing, realistic portraits that retained a sense of poise and elegance. …
