How to paint like the Old Masters using modern materials
… While the exact technique Rembrandt used when creating his impastoed surfaces is unknown, it is believed that he built up thick layers of opaque paint, allowing each layer to dry instead of mixing the paint on the surface while wet. After executing highlights in thick layers, he would wholly or partially over these with thin paint used as a glaze. …
… In 1641, a fourth child, Titus was born, and survived. However, Saskia was unwell after the birth. In 1642, she made a will leaving Rembrandt and Titus most of her fortune, with the stipulation that Rembrandt’s share would be lost if he ever remarried. She died shortly after, aged only 30, most likely from the plague or TB, and Rembrandt was left alone with a young baby to care for. …
… The tragedy that marked Rembrandt’s personal life never stopped him from painting however, and he continued to work up until his death.
For the majority of his life, Rembrandt’s main source of income was private commissions for portraits. While Rembrandt did not keep records of his work shop sales, it is estimated by the Rembrandt House Museum in Amsterdam was around 340 guilders. This was the time when a skilled craftsman earned about 250 guilders a year.
He was also able to earn money as a teacher; it is known that he had around 50 pupils who paid him well for a year’s tuition. In addition to selling his own art, he acted as an art dealer, selling works by his pupils, as well as
… He venerated the Old Masters for creating works which stood the test of time, and felt that no modern work could compete with such paintings. He noted the style and technique of many of the Renaissance masters, including Titian, Michelangelo, Tintoretto and Veronese, whose styles manifest themselves in his confident use of colour. He combined techniques such as chiaroscuro, the dramatic use of light and dark, and the classical contrapposto pose, in which the subject supports their weight on one leg. He worked to marry classical grace with naturalism, creating convincing, realistic portraits that retained a sense of poise and elegance. …
The opportunity to be enrolled in the Old Masters Academy is to have a dream to come true. I have been “hanging out” at the Old Masters academy website loving every bit of information being shared and am hungry for more.
I recently joined a local art guild to meet other artists and I am aware that need to “fill in the gaps of my present hobbyist/seat of my pants training” with professional instruction. Recently I attempted the old Flemish painting style…and it I had been hard to find complete information regarding materials, techniques, steps….and different artists seem to give conflicting information. …
… I’d like widening and deepening my my skills. I like the Classicist style but I’m especially interested in with Renaissance and Baroque.
I think the Old Masters Academy offer a opportunity for me to learn new topics on an available way.
I want to take part in this competition because I want to compare my pictures to others and the reward can be very useful for every artists.
I’m curious about the opinion of the audience and looking forward competition. I hope the public like my artwork and they want to help me develop my skills
